Wednesday, April 14, 2010
JUST GUYS
Tuesday, April 6, 2010
Drunken Humps in the night 8.9.10.
Before Kimmel delves into the world of women and sex, he begins with the modern fantasy: porn. His main thesis for porn's purpose and exsistence is based on the idea that men, whether they are concious of it or not, are seeking revenge on women. As Kimmel sees it, having sex as frequent as possible and with as many women as possible is a mainstay of the Guy Code. As this is impossible, guys are trying to find a way to get even with girls who won't give in. He presents that the contradiction is in that the world is full of 'eye candy' with women who reinforce their looks to attract men, yet don't say yes to sex as easy or say yes all. Porn is an outlet to that frustration in which the world gives into desires. Too me, it's also a big 'Fuck you' to women who aren't giving into a man's sexual agenda, or in a deeper way who are hurting his self image (which is the thing that needs to examined). Looking deeper, which Kimmel touched on but didn't explain, is women's general disinterest towards pornography or ability to be turned on by naked men- which in turn says something about mens general misunderstandings about the complexities of sex and attraction. Sexual fantasy can be purely fantastical for those purposes, an intimate place is an easy place to express or act out fantasies. But when visited over and over again, sexual fantasy is misleading, distorting of sex and love, and demonstrates something one is missing in oneself. No one can be missing naked 17 year olds from themselves, but perhaps missing a healthy outlook on their own maturity or childhood. To me, porn takes us very far away from the human experience in one of the most human experiences possible.
Hooking up, as it may appear to be the way of sexual liberation, seems to be a more confining way of finding love, making love, and making all decisions based around sex and love. The way Kimmel describes the college culture's version of hooking up is completely lost in a loveless vat of alcohol, forgetting, and regretting.
Hooking up however, can also be seen for really what it is, an experience, where hopefully we are sober enough to understand what is happening. Whether we are useful with this experience or use it as an 'impressive' story is another thing however. Although Kimmel puts 'hooking up' predominately in guy world, I would say it's in the girl's world just as much. I know a lot of girls who really want to tack on the numbers of guys they've hooked up with, but I think its more for legitimizing feelings of personal power and choice rather than a ticket for bragging rights.
The statement these people are making about not wanting the work and hardships of having a relationship seems to be a cop out, an avoidance of something they don't know how to do. People are running around with their heads cut off trying to get somebody to get them off, when really falling in love is the best practice for marriage and such, not drunken humping in the night. Also, do we not know how to flirt gracefully and tactfully, for every meeting we make with a romantic other should not be covered in booze.
However much it be the friendmaker, alcohol is also the evil accomplice of rape, or predatory sex. Much like in guys consumption of porn, Kimmel outlines how rape is the ultimate and physical revenge, an extreme end to a means, of a sort of revenge towards women. In my childhood I remember my first idea of what rape meant. Although cloudy, I was almost certain it began with a kidnapping or abduction. In reality, rape is more cloudy and less criminal looking in it's exposition. This exposition often begins at parties, certainly with alcohol, and definetly a lot of confusion as to the boundaries of the situation. Where either member of the consenting party is actual consenting will be unclear when people are drunk as hell, but there is no doubt that within the code of guyland that coercion with girls is perfectly acceptable, if not formula. To imagine all the things Kimmel writes about to be actually true is hard, and extremely inexcusable.
Wednesday, March 31, 2010
Kimmel 4.5.6.
Wednesday, March 24, 2010
Kimmel 1-3
Guyland, he describes, is a culture that has been mainly formed on new ideas of manhood and prolonged adolescence. It is the confusion of really beginning manhood or post-college life, that is so terribly bent around the 'guy code' that has been created it does not want to break it's own rules, even if it would better them. These rules, which are have been subconsciously constructed are based on this cultures desire to preserve their masculinity. These rules exhibit extreme attitudes about man-to-man loyalty, homophobia, no-pain, and the all defining 'bros before hos' loyalty. All in all, Kimmel is mainly exhibiting how these ideas boys are outlining their lives with as well as a faltering economy are truely creating an entirely new world apart from what their parents experienced.
I find it hard to line up 'guys' as I know them to these ideas- I have never been to a university and neither have any of the boys close to me. What I do see however, is this resistance to adulthood. I see 'boys' who are almost 30, working at the same low wage job as me. What I see from my generation is a terrifying view of commitment into both fields of relationships and careers, which perhaps stems from divorced parents. We don't want to fuck it up like they did, part of the reason why some of us are waiting for the ideal thing to fall in our laps. And the words 'fall in our laps' is the most dangerous- it tells of this generations sense of being privileged and special, like Kimmel notes. What I see are boys who are still dying to explore and define themselves in the world, which for some reason might be taking longer than it did a couple decades ago.
I think an emotional attatchment to a career, or as Kimmel says a career that establishes a sense of importance and masculinity, is highly was is lacking for a lot of boys in this world. I have reason to believe the decline in jobs that are more akin to materiality, or trade jobs, has something to do with a lack of desire to enter into a career for boys. The purpose of money itself has also changed, as Guyland has been transformed largely into consumer culture. Perhaps the biggest question remains for most boys, which is what are they working towards?
Wednesday, March 10, 2010
Boys and Television
In 'Dumb and Getting Dumber' the author expands on the notion of 'male stupidity' and how culturally we welcome it in the media, films, even politically. The film Sideways critics saw of a fresh of breath air, a movie about two older guys, both in their 40's- ugly and stupid, yet endearing. Although it may seem revolutionary that men are portrayed in this way, the author argues they are simply grown up versions of 'dudes' from teen comedies. Stranglely the author puts this film and ones like it in constrast with the cartoon Spongebob squarepants. Spongebob is a strange character in that manhood is something that he chases yet is somewhat indifferent to it, as well as his sexuality. His character is not trying to imitate teenagers or adults but to rather celebrate the flexibility of boyhood.
'Dude Tube', an article by Erin Amar, completely breaks down the psychology behind SPIKE: Television for Men. There are four components, which involve 'sensation seeking' situations, naming these situations as what they are ( dangerous! or outrageous!), idealisim and solving problems, and no consequences. If based in reality, results are shown to be simple and goal oriented, if in fantasty, the bounds are pushed far into the realms of violence, stupidity, and shock. Looking at the entirety of Spike's goals and programming, the author poses the question if the channel is worth having at all.
What men really want to watch on TV is disputable since patterns have been set and followed for a long time, sometimes but not often broken. Boundaries have been pushed as far as they can regarding censorship as far as violence, racism and sex go. I feel that TV has a fairly heavy male slant- I find most ads and shows to be agressive- subtely and 'thought' room is hard to find.
Wednesday, March 3, 2010
Playing and Growing Up through Pop Culture and Media
Wednesday, February 24, 2010
Generation Confused, etc.
Wednesday, February 17, 2010
What Boys Read + Thorns among Roses
Wednesday, February 10, 2010
Boys and Race
In this short story by Sherman Alexie poetically encapsulates the frustrations and expectations created within poverty, race, and constructed views of fatherhood. Chicken, as Alexie describes, was the savior of the very thing that is possibly the worst thing about being poor. However, there were things that caused more helplessness and anger than anything, which was when poverty finally caused his father to appear weak. In the case of his dog getting heat exhaustion and become fatally sick, the family has no money to take him to the vet; Alexie's father decides he has no choice but to mercy kill the dog. Alexies reaction to his fathers decision, let alone tears, creates an anger beyond something he can describe- mostly geared towards his father's weakness. This story really points out a key moment for boys, especially ones that come from a lineage of poverty and racial discrimination. Alexie wants to badly for his parents to be strong, to not be brought down by the stigma and reality of what has happened to their people, for his father to have strength, yet it causes an anger in him that he seems to only be able to run away from.
Making a Name for Yourself: Transgressive Acts and Gender Performance: Ann Ferguson.
In Ann Ferguson's essay, she is both looking at transgressive behavior from boys, specifically in schools, and also specifically African-American males. The essay is very specific in its attention on african-american boys because she claims they are generally witnessed as rule-breakers and performers- which perhaps makes a more direct observation for Ferguson.
She discusses three major strategies that boys use to emphasize and construct their masculinity as youth, which include heterosexual power, disruptive performance, and fighting. One of the underlying themes I sensed in all these 'tactics' that Ferguson proposed was a strong sense for boys to get attention and respect from their fellow peers, and also to dis-identify themselves from the realm of femininity comp. What was most interesting to me however was how Ferguson claimed how oral performance was a way in which blacks can express masculinity and make a name for oneself, which is strange because in one sense I think it's one of the most valubale things, but I wish she would explain more how she came to this conclusion, or railed it up against the 'performance' of other races.
The Puerto Rican Dummy and the Merciful Son.
Martin Espada.
Espada is a Puerto-Rican living in Massachutes. As a poet and intellect raising his four year-old son, Espada fears for his son in his knowledge and experience in a world where racism has brought him hurtling through the hoops of anger, violence, and stifled emotions. It's a world where Espada knows that will in some way or another cause his son to experience what it means to be a Latino male. What is important about this piece of writing however is that Espada's view is not to encourage the outward anger and violence that might be felt by such events, but to encourage his anger to be channeled in the most constructive of ways. He also understands the natural inclination for boys to experiement "with power and control" reguardless of how he may be raised in a way that does not condone violence. What he sees is Latino males being stereotyped as violent, and as stereotypes cause anger and then perpetuate the cyle.
In conclusion, the effect and stigma of certain races certainly creates a specific way of acting for men and boys that can be worlds apart from other races. It is important to historically understand how races construct their genders and to understand why certain things keep perpetuating themselves because they are stereotypes.
Sunday, February 7, 2010
Wednesday, February 3, 2010
American Manhood
Boy culture is descibed as a sub-culture, a culture in which boys must create for themselves, with themselves. Starting in the home, seperation unto their own world is begun when the kinship around mothers and daughters become hand-in-hand, and encouraged, and as fathers are presumably not at hand, the boys have access to the 'outside'. Boys have been defined by their physicality and independence, which in turn becomes the thing will bind boys together; a characteristic of boys is their involvement in clubs, teams, or gangs. The author uncovers how the driving forces that bring boys together; competition, loyalty, self-reliance, are also the things that can tear them apart from each other. The loyalty to their clubs and friends is also what sets in motion for boys to rebel against authority and even parents. In the voyage from boyhood to manhood, certain ways of boys are forever imprinted: their way of bonding with other men remains on a competitive yet loyal level, however now the intellectual side is favored over the physical. However, the author points out how close to intimacy this physical relationship was with young boys, and once a boy has transitioned into a mans world it is often that women will be the only intimate relationship, as it with women that is never lost. However, the notion of homosexuality in the 1800's was nonexsistent, so if there was intimacy between men there was not the same kind of anxiety present today. However, Rotundo states that one of big factors that lay between men and his relationships was his strong commitment to a career, which can further estrange a person, in contrast to a woman's constant familial ties.
These articles were very insightful and described things I feel like I see and know, but were written like they were really true, that being my only qualm with the article. It generated a very general experience for boys and I wish it would contrast itself to other cultures other than 'Northern'. One of the main points I liked was how boy groups are physically violent with another, not only due to their energy, but in a effort to be close to another man. This is something I feel like I've always seen- when I have been perplexed my friends lack of talking emotionally with each other, there is always a sort of verbal challenge or physical challenge. It also has always created a sort of jealousy in me, that boys seem to 'automatically' make friends since through their work or play in the physical world, yet for a girl to find groups that are emotionally satisifying is much harder because we may not operate in as many physical realms. Also, however it may be the opposite of comradery, the notion of teasing or challenging within boy groups is actually something I find appealing in one sense. On one side there is empathy, and another is to challenge one another, and I feel as though men and women have either one of these often with groups of friends. For me, to challenge your friends is to also show you care for them, and also displays a sort of comfort.